Run To The Hills (Iron Maiden)

“Run to the Hills” by Iron Maiden is a powerful critique of the historical conflicts between Native Americans and European settlers, highlighting the violence, exploitation, and cultural destruction inflicted upon indigenous peoples.

🥇1st Place – Iron Maiden

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🥈2nd Place – Epic Symphonic Rock

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🥉3rd Place – Iron Maiden

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4th Place – Steve “Steve'n'Seagulls” Seagulls

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5th Place – RonyaJB

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6th Place – wildweb99

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7th Place – MrRomeouhr1

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8th Place – Drummer Ami

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9th Place – Brian Martens Music

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10th Place – The Heimatdamisch

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11th Place – First To Eleven

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12th Place – Iron Ladies

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13th Place – Erik Grönwall

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14th Place – Mari e Maya Acoustic Rock

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15th Place – nahueblack666

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16th Place – Edo Sala

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17th Place – Colin Weeks

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18th Place – LeoBassCovers

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19th Place – Kyle McGrail

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20th Place – Daniel Salas

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21th Place – Liz Ng

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22th Place – HeavyMatterCulture

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23th Place – Dave Lawlis

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24th Place – GaB

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25th Place – Blood Brothers

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26th Place – ManP

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27th Place – Charlie's Maiden Covers

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28th Place – Ken Tamplin Vocal Academy

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29th Place – The Beast's World Cover Collab

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Did you know?

The song vividly portrays the brutal realities of colonization through its lyrics.

The opening lines, “White man came across the sea / He brought us pain and misery,” immediately set the tone, emphasizing the suffering brought by European settlers.

The chorus, “Run to the hills, run for your lives,” serves as a desperate call to escape the impending violence.

The second verse shifts perspective, describing the settlers’ relentless aggression: “Soldier blue in the barren wastes / Hunting and killing their game”.

This duality in perspective—both the oppressed and the oppressor—underscores the song’s thematic depth.

The bridge, “Raping the women and wasting the men,” starkly illustrates the atrocities committed.

Iron Maiden uses vivid imagery and a fast-paced, aggressive musical style to convey the urgency and horror of these historical events, making “Run to the Hills” a poignant commentary on the dark chapters of history.

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